![]() With primed reach you'll usually accrue enough combo points to get to 1.5x to at least activate blood rush or to 3x when mobs get hard enough that they don't die in one hit, and overly relying on combo multipliers is dangerous in general, what with stuns and dying. To add to everyone else's builds, you should also look into arcanes since there's some good ones for his 4 like arcane Fury/strike. Though most people don't want to forma away the umbra polarities, which is why I gave you this build. Paper dps wise a crit build does deal a lot more dps, but the damage is not consistent. ![]() Meaning you will absolutely overkill enemies 31.5% of the time and then have hits not use 2 of your mod slots 68.5% of the time. I personally do not like crit builds on Excal, because even with the Sacrificial mods you only get to 31.5% crit chance. Enemy Sense though if you prefer those.Ģ Sacrificial mods, Organ Shatter, Berserker, Primed Fever Strike, 90% elemental mod, Condition Overload, Life Strike/Healing Return. You can go for Power Drift,Cunning Drift or e.g. I like Firewalker (Mobilize for the budget build), because a) it allows you to get to your next target faster and b) it reduces your non-endless mission time much more than any other exilus mod. It also gets you over the 180% power strength point (190%), which you need to get 100% status chance on your Chromatic Blade without using 60/60 mods on it. This gives you the lowest possible cost on all your abilities, a good survivability and decent duration on your radial blind. ![]() Corrosive Projection, Walker-mod or MobilizeĪll 3 Umbra mods, Chromatic Blade, Fleeting Expertise lvl 4, Streamline lvl 4 (or 5), Augur Secrets ![]()
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![]() Then, click the Open Process icon on the top left corner, and you’ll see the game’s EXE file running. Once you want to start using it on a real game, you will have to first launch the game and let it run in the background. Cheat Engine also has an active community that can answer questions and explains how to apply the cheat codes to different games. There is plenty of documentation on the Cheat Engine website that will help get you started. There is a really helpful tutorial that will walk you through the process, although the specifics will change for each game. ![]() How to Use Cheat EngineĬheat Engine isn’t an easy program to master and does require some technical knowledge. These variables usually include unlimited coins, instant access to weapons and ammunition, advanced powers, and the power to skip levels. It works by using a memory scanner to search the code and find the variables that you can change or modify. You can use Cheat Engine to modify single-player, offline games and change game codes to make games easier or harder based on your preferences.
![]() ![]() 5:06pm Type Steam in the 'Search' or goto C:program files(圆4)steam while 'This PC' is opened. Im on a windows 10 laptop Showing 1-4 of 4 comments. When i go to the file explorer i can't find the steam files so i can mod M&B warband.You can just double-click the.ISO files to mount, but if you're on Windows 8. ![]() If you're on Windows 10 or Mac then you're fine, you wouldn't need to download a program to mount the disks.
![]() ![]() Bougatsos compares her experience of the artist’s canvases to how she feels in desert settings, saying of Martin’s paintings, “You just settle into the environment and it’s this completeness. Laraaji, who has termed his own musical works “sound paintings” for their layered and textural qualities, said he identifies with a “a stillness, a non-rushed activity” present in Martin’s paintings, adding that he strives to create “an environment within which the listener can be present, immersive, without really figuring out what it is I’m trying to say, more they’re feeling embraced” in his own work.īougatsos and DeGraw trace a similar contemplativeness through Martin’s paintings and their music. These spiritual, introspective aspects of Martin’s process live on in her canvases. The performances highlighted the ways that the legacies of Martin’s distinct visual language and philosophies about art making have touched some of the most innovative musical artists working today.Īs the art historian Nancy Princenthal details in her 2015 biography of Martin, the artist “said she composed her work following the dictates of inner visions, which arrived as complete images she executed just as she saw them, but bigger.” Princenthal goes on to write, “In many accounts she gave of her working process, Martin invariably used the word ‘inspiration.’” The meditative nature of the concerts reflected not only the formal simplicity and calmness of Martin’s work, but also the artist’s stated approach to art making. Laraaji has been creating highly experimental music since the 1970s, Lizzi Bougatsos and Brian DeGraw, two members of Gang Gang Dance, draw on various genres to create their unique, immersive sounds. To engage with the notion of musicality in the artist’s work, Pace Live presented performances by the musician Laraaji and members of the group Gang Gang Dance amid the recent exhibition Agnes Martin: The Distillation of Color in New York. I think that since the Abstract Expressionists, painting is in the same category as music. Martin, who throughout her career wrote at length on modes of thought that ought to guide artistic practices, said in a 1976 ARTnews profile by the critic John Gruen, “Painting is a very subtle medium, and it speaks of the most subtle phases of our responses, and so, it is much more rewarding to the painter. “Paintings painted by the intellect are not artwork,” the artist once said. ![]() ![]() Best known for understated, austere compositions that privilege lines and grids, geometry and order, Martin rejected figurative and narrative elements in her works. Widely considered one of the most important painters of the 20th century, Agnes Martin looms large in the history of art and the Minimalist movement. ![]() ![]() "I've made it harder for myself by allowing her to be my competition," Legend continued, teasingly. "In fact, I told her, 'If a Coach opening ever comes up, you should do it because you'd be great at it.'" " was on Team Legend as my celebrity guest mentor, and I could tell she was really good at it," Legend told NBC Insider. It will feature a star-studded parade of guest stars on hand to celebrate the crowning of. Being on a competition show with your wife, who is also not competitive, is the greatest situation you can be in."ĭo you know who was competitive, though? Camila Cabello, this season's first-time Coach who John Legend instantly clocked as a threat to anyone sitting in a red chair. The two-hour The Voice finale is set to air on Tuesday, December 13. "The best part about working with my wife is that I never have to be apart from her," he told NBC Insider. "And she also happens to be one of the least competitive people I know. Chris Pratt garnered criticism at first for his Mario voice, but with the release of the final trailer for 'The Super Mario Bros. ![]() The Artist in Fifth place is: Brayden Lape.ġ0:50PM ET The five finalists take the stage! Tension is building!Įvery The Voice Season 22 Blind Audition, Broken Down by Team We can’t wait for Season 23! See you in 2023!ġ0:54PM ET The Artist in Fourth place is: Omar Jose Cardona. One of the important premises of the show is the quality of the singing talent. The Artist in Third Place is: Morgan Myles. The Voice Norges beste stemme (Norwegian for The Voice Norways best Voice) is a Norwegian reality singing competition and local version of The Voice first broadcast as The Voice of Holland.It started on 27 January 2012 and the final aired on on TV2. The runner-up/Artist in Second Place is: bodie. The Voice S22 E25 type TV Show network NBC genre Reality Music Last night, finalists Morgan Myles, bodie, Omar Jose Cardona, Bryce Leatherwood, and Brayden Lape gave their closing arguments as to. That’s another win for Team Blake, making it 9 total wins since Season 1. ![]() ![]() He is the first-ever Instant Save Artist to win The Voice. The Voice Season 22 finale in 2022 brought out the best in Artist performances, Coaches' sense of humor, special guests, and some of the biggest names in music today hi Maluma, Adam Lambert. īryce Leatherwood! The 22-year-old country artist from Statesboro, Georgia started the Live Rounds as the Instant Save Artist voted on by America to advance to the Top 13. The Voice Season 22 Finale Recap - Live Updatesīelow, we'll recapped all the big things that happened during The Voice Season 22 Live Finale airing December 13 at 9/8c on NBC-from the performances to sweet moments between Stefani and Shelton and, of course, the winner reveal.ġ1:00PM ET And your winner of The Voice Season 22 is…. The final five performed on Monday, December 14, 2020, with the final results the following day. The Winner of The Voice Season 22 Has Been Revealedīelow, we'll recapped all the big things that happened during The Voice Season 22 Live Finale airing December 13 at 9/8c on NBC-from the performances to sweet moments between Stefani and Shelton and, of course, the winner reveal. ![]() ![]() Liberzon D., Calculus of Variations and Optimal Control Theory, Princeton Univ. D., Optimal Control Theory, Springer–Verlag, New York, 1974. F., The Mathematical Theory of Optimal Processes, Gordon and Breach, New York, 1986. and Açıkmeşe B., “ Successive Convexification for Real-Time 6-DOF Powered Descent Guidance with State-Triggered Constraints,” arXiv E-Prints, 2018, arXiv 1811.10803. ![]() and Açıkmeşe B., “ Successive Convexification for 6-DOF Mars Rocket Powered Landing with Free-Final-Time,” AIAA Guidance, Navigation, and Control Conference, AIAA Paper 2018-0617, 2018. ![]() M., “ Successive Convexification for Real-Time Rocket Landing Guidance with Compound State-Triggered Constraints,” AIAA SciTech Forum, AIAA Paper 2019-0926, 2019. M., “ A State-Triggered Line of Sight Constraint for 6-DOF Powered Descent Guidance Problems,” AIAA SciTech Forum, AIAA Paper 2019-0924, 2019. M., “ Dual Quaternion Based 6-DOF Powered Descent Guidance with State-Triggered Constraints,” arXiv E-Prints, 2019, arXiv 1904.09248. and Mesbahi M., “ Constrained Autonomous Precision Landing via Dual Quaternions and Model Predictive Control,” Journal of Guidance, Control, and Dynamics, Vol. 40, No. 2, 2017, pp. 292–308. and Mesbahi M., “ Optimal Powered Descent Guidance with 6-DOF Line of Sight Constraints via Unit Dual Quaternions,” AIAA Guidance, Navigation, and Control Conference, AIAA Paper 2015-0319, 2015. and Tynis J., “ Defining Navigation Requirements for Future Missions,” AIAA SciTech Forum, AIAA Paper 2019-0661, 2019. and Tse T., “ The SPLICE Project: Continuing NASA Development of GN&C Technologies for Safe and Precise Landing,” AIAA SciTech Forum, AIAA Paper 2019-0660, 2019. and Casoliva J., “ Implementation and Experimental Demonstration of Onboard Powered-Descent Guidance,” Journal of Guidance, Control, and Dynamics, Vol. 40, No. 2, 2017, pp. 213–229. and Dueri D., et al., “ ADAPT Demonstrations of Onboard Large-Divert Guidance with a VTVL Rocket,” IEEE Aerospace Conference, IEEE, New York, 2014. W., “ Customized Real-Time Interior-Point Methods for Onboard Powered-Descent Guidance,” Journal of Guidance, Control, and Dynamics, Vol. 40, No. 2, 2017, pp. 197–212. P., “ Minimum-Landing-Error Powered-Descent Guidance for Mars Landing Using Convex Optimization,” Journal of Guidance, Control, and Dynamics, Vol. 33, No. 4, 2010, pp. 1161–1171. and Blackmore L., “ Lossless Convexification of Powered-Descent Guidance with Non-Convex Thrust Bound and Pointing Constraints,” IEEE American Control Conference, IEEE, New York, 2011. and Wolf A., “ Capabilities of Convex Powered-Descent Guidance Algorithms for Pinpoint and Precision Landing,” IEEE Aerospace Conference, IEEE, New York, 2011. and Blackmore L., “ Lossless Convexification of Nonconvex Control Bound and Pointing Constraints of the Soft Landing Optimal Control Problem,” IEEE Transactions on Control Systems Technology, Vol. 21, No. 6, 2013, pp. 2104–2113. and Ploen S., “ Convex Programming Approach to Powered Descent Guidance for Mars Landing,” Journal of Guidance, Control, and Dynamics, Vol. 30, No. 5, 2007, pp. 1353–1366. and Bishop R., “ Analytical Dimensional Reduction of a Fuel Optimal Powered Descent Subproblem,” AIAA Guidance, Navigation, and Control Conference, AIAA Paper 2010-8026, 2010. and Mease K., “ A Computationally Non-Expensive Guidance Algorithm for Fuel Efficient Soft Landing,” AIAA Guidance, Navigation, and Control Conference and Exhibit, AIAA Paper 2005-6289, 2005. Lu P., “ Propellant-Optimal Powered Descent Guidance,” Journal of Guidance, Control, and Dynamics, Vol. 41, No. 4, 2018, pp. 813–826. and Baldwin M., “ A Versatile Powered Guidance Algorithm,” AIAA Guidance, Navigation, and Control Conference, AIAA Paper 2012-4843, 2012. N., “ An Optimal Guidance Law for Planetary Landing,” AIAA Guidance, Navigation, and Control Conference, AIAA Paper 1997-3709, 1997. D., “ Minimum-Fuel Powered Descent for Mars Pinpoint Landing,” Journal of Spacecraft and Rockets, Vol. 44, No. 2, 2007, pp. 324–331. ![]() S., “ On the Problem of Optimal Thrust Programming For a Lunar Soft Landing,” IEEE Transactions on Automatic Control, Vol. 9, No. 4, 1964, pp. 477–484. Lawden D., “ Optimal Trajectories for Space Navigation,” Optimal Trajectories for Space Navigation, Butterworths, London, 1963. R., “ Apollo Lunar-Descent Guidance,” Charles Stark Draper Lab. ![]() ![]() The sclera is the white part of the eye that surrounds the cornea and is continuous with it. In other words, the conjunctiva is a thin transparent membrane that covers the sclera. The conjunctiva also covers the moist back surface of the eyelids and eyeballs.” “Near the front of the eye, in the area protected by the eyelids, the sclera is covered by a thin, transparent membrane (conjunctiva), which runs to the edge of the cornea. The conjunctiva helps protect the eye by keeping small foreign objects and infection-causing microorganisms out and by contributing to the maintenance of the tear film.” The pupil is the opening through which light enters the eye.Ĭonjunctiva: “The conjunctiva is the membrane that lines the eyelid and loops back to cover the sclera (the tough white fiber layer covering the eye), right up to the edge of the cornea (the clear layer in front of the iris and pupil-see Structure and Function of the Eyes). It has three segments: the iris, the ciliary body and the choroid. The pupil appears as a black hole at the center of the iris. The uvea is the pigmented middle layer of the eyeball. It acts as a diaphragm, like a shutter on a camera, regulating the amount of light that enters through the pupil. Iris: The iris is located behind the cornea. It appears black because light rays entering the pupil are either absorbed by the tissues inside the eye directly, or absorbed after diffuse reflections within the eye that mostly miss exiting the narrow pupil.” Pupil: “The pupil is a hole located in the center of the iris of the eye that allows light to strike the retina. ![]() Najeeb’s lectures on the Structure and Function of the Human Eye. ![]() ![]() ![]() It eschews Super Meat Boy’s minimal, pixelated aesthetic - which stems from the series’ origins as an Adobe Flash game - in favor of cartoon visuals that would look at home on a kid’s TV program. Super Meat Boy Forever also has a polished look to it that its predecessor lacked. In fact, I think it’s one of the few areas of the game that improves on the original. There was nothing in Super Meat Boy that made you think or reflect, so I definitely see Team Meat’s decision to explore an environmentalist narrative here as a step in the right direction. The bloody wake left by Doctor Fetus’ ruinous contraptions is depicted through a rag-tag band of grizzled woodland animals who decide to strike back against him. He still doesn't really look like a fetus, though. The evil Doctor Fetus is back and bloodthirsty as ever. Super Meat Boy Forever is a very short game - it took me around five hours to run through the campaign once - but packs a surprising amount of exposition in. The cutscenes are memorable, with a strong environmentalist theme that was totally absent from the first game. Meat Boy and Bandage Girl return to confront the nefarious Doctor Fetus, who has captured their child, Nugget. The story is the main area that’s been beefed up (pun intended) in Super Meat Boy Forever. The original’s exacting gameplay is much more rewarding and that’s always going to keep people coming back for more. While I was playing it, I couldn’t help but wish I was playing Super Meat Boy instead. In the end, I actually feel like Super Meat Boy Forever has less replay value than its predecessor. The checkpoint system of Super Meat Boy Forever means that each death is less painful but, equally, each victory is less joyous. Getting to the end meant hard work and a great deal of improvement as a player. Completing Super Meat Boy felt like an accomplishment. There was a real joy to executing frame perfect inputs and navigating absurdly complex sequences of traps on muscle memory alone. But that only increased your elation when you beat it a couple of attempts later. Yes, it was painful when you’d made it perfectly through a level after dozens of attempts only to choke at the last second and have to start from the beginning. This approach is a little more casual-friendly but, again, loses something that made the original Super Meat Boy so absorbing. ![]() Why Go Out For A Burger When You've Got Steak at Home? The level is split into these chunks in that when you die (which you will do… a lot) you’ll respawn back at the beginning of the segment rather than the beginning of the level. You could definitely argue that this increases the replay value but I wasn’t keen on this feature. This means that, apart from boss fights, the game randomly generates the level by compiling segments of possible gameplay loops. The result is a game that feels more polished but somehow loses the rugged charm and rigorous mechanics of the original.Īnother key change is that levels are procedurally generated. They expanded the visual and narrative aspects of the game but pared back the already minimalist gameplay even further. Their approach with the sequel, Super Meat Boy Forever, is an interesting one. How do you follow such a successful but simple game? Team Meat’s small squad of designers have seemingly spent the last decade working on an answer. He could only run, jump and dash but controlling him was so satisfying that it didn’t matter. Some levels were so fiendishly difficult, requiring frame perfect inputs, that it felt like you almost had to become Meat Boy to succeed, your aching thumbs spiritually entwined with his pulpy, rectangular body. There were no gimmicks to it, just level after level of tightly-constructed, exacting gameplay. It’s no exaggeration to say that its release was a springboard for the resurgence of legions of similar games over the last decade. Well, Super Meat Boy, alongside other genre hits such as Limbo, Trine, and Rayman Origins, showed the world that there was plenty of life in 2D platforming yet. ![]() ![]() And indeed, what you found out was it was this social identity and the negative consequences of it.ĭr. The instruction from adults that this is important and you should think about it and understand it, those things are kind of abstract and may be interesting, but they wouldn't be nearly as compelling psychologically, and they sort of take over your thinking and functioning as much as a real restriction tied to an identity.ĬONAN: And a lot of your book is, in fact, a result of your investigation as to why specifically African-American, but later minority students, seemed to do so poorly academically at big institutions like the University of Michigan, where you worked, or at Stanford University, where you also work. I mean, it really the swimming pool restriction really affected how my life was going to be. ![]() But if they told you can only swim at the pool on Wednesdays, suddenly you were pretty interested in race.ĭr. And the reason for that became because we were black, because we were African-American.Īnd that was, in some ways, the first realization I had of being black and that the other kids I lived around were also black and that we had this contingency of identity, as I've been calling it, to deal with.ĬONAN: The identity, being black, the contingency being you can't swim at that pool except on Wednesdays.ĬONAN: And you write later in the book that, in fact, had someone sat you down at that age and said son, let me tell you about discrimination, that you would have listened politely for a little while. So if we were going to swim that summer in that pool, we would have to go only on Wednesday afternoons. And the conversation came up that gee, we couldn't go to the swimming pool that was three or so blocks away, in a white neighborhood, and that we'd have to except on Wednesday afternoon. So you're always cautious, but to the best of my ability, it was one day, the last day of school, second or third grade, coming home with kids in the neighborhood. And to the best of my ability, we psychologists know that memory is a construction. STEELE: Well, as I begin the book with the story of trying to remember when I first became aware I was African-American. CLAUDE STEELE (Author, "Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us"): Great to be here.ĬONAN: And let me ask you to start with your realization of your own social identity, when you were a kid going to the swimming pool.ĭr. Nice to have you on TALK OF THE NATION today.ĭr. His book is called "Whistling Vivaldi: And Other Clues to How Stereotypes Affects Us." He joins us from our bureau in New York City. Later in the hour, actor, producer and now Broadway director Stanley Tucci joins us to talk about his new revival of the 1989 farce "Lend me a Tenor." But first, Claude Steele. Email us, You can also join the conversation on our Web site. How did you overcome it, if you did? Give us a call, 80. So call and tell us what situations you've had to deal with in which your social identity and the expectations that come along with it presented a challenge. ![]() He also lays out a plan to minimize the impact. It's a phenomenon social psychologist Claude Steele calls the stereotype threat, and his new book looks at the many and surprising ways that these expectations affect our lives. Take away the threat to their identity, and they'll do fine. And then there's a curious fact: When confronted with those negative stereotypes, female math majors do perform worse on tests, and white jumpers fail to clear the usual bar. We all know that women can't compete with men at higher math. And each of those identities comes along with a set of expectations or stereotypes. Our social identities come from a lot of places: our race, our sex, our age, our political affiliations, our medical diagnoses, our high schools, colleges, our favorite baseball teams. ![]() ![]() The sweet-voiced Muslim singer posts videos of herself covering various Western hits and J-pop songs, and her channel currently boasts nearly 1.3 million subscribers. The resurgent hit of “Stay With Me” 40 years after its release owes a big part of its recent breakout global popularity to an Indonesian YouTuber named Rainych. While Matsubara’s catalog includes other hit tracks such as “Neat na Gogo 3 ji” (1981), her fifth single featured as beauty giant Shiseido’s spring campaign song, and “THE WINNER” (1991), the opener of the anime series Mobile Suit Gundam 0083 Stardust Memory, “Stay With Me” remains a favorite among club DJs as a so-called “wamono” standard that has far outlasted the memory of its popularity at the time. 28 on the music chart at the time of release. A young but skilled vocalist with experience singing in jazz bars, Matsubara debuted as a next-gen singer not categorized under the “idol” genre of solo female J-pop artists. ![]() The lyrics were written by Tokuko Miura and the music was composed and arranged by Tetsuji Hayashi. You said it last night that you also feel this way.“Mayonaka no Door – Stay With Me” was released in November 1979 as Matsubara’s debut single, shortly before she turned 20 years old. ![]() They say 恋 (koi) and 愛 (ai) are two different things The reflection of the two of us on the show window You said it last night that you also feel this way Thank you so much for any help you can give :) Kuchiguse wo ii nagara Futari no toki wo daite mada wasurezu atatameteta Mayonaka no door wo tataki Kaeranaide to naita ano kisetsu ga ima me no mae Stay with me. Sabishisa magirawashite Oita record no hari onaji melody kurikaeshiteita Stay with me. Mayonaka no door wo tataki Kokoro ni ana ga aita ano kisetsu ga ima me no mae Stay with me. Koi to ai to wa chigau mono da yo to Yuube iwareta sonna ki mo suru wa Nidome no fuyu ga kite hanarete itta anata no kokoro Furi kaereba itsumo soko ni anata wo kanjiteita no Kuchiguse wo ii nagara Futari no toki wo daite mada wasurezu Daiji ni shiteita Watashi wa watashi anata wa anata to Yuube iwareta sonna ki mo suru wa Grey no jacket ni mioboe ga aru ko-hi- no shimi Ai kawarazu nanone show window ni futari utsureba The verses themselves don't seem to make all that much sense from one to the next, and I'm hoping that there is a more poetic/cohesive translation. This does give a general idea of the English meaning of the song, but I do know that Japanese and English have very different sentence structures, and that Japanese is very dependent on context, so google may not be particularly accurate. I knock on the door at midnight I cried without going home That season is now right in front of you Stay with me. While talking to a mouthful saying Embracing the moments of the two I still had not forgotten warming up Crossing the loneliness The needle of the record I placed I was repeating the same melody. I knock on the door at midnight There was a hole in my heart That season is now right in front of you Stay with me. The second winter has come Your heart that went away As long as you refrain I was feeling you there Stay with me. Love and love are different I feel like I was told last night. While talking to a mouthful saying Embracing the moments of the two I did not forget yet but I was cherishing ![]() ![]() I am you and you I said that I said that last night On a gray jacket A familiar coffee stain You are the same If you see two people in the show window Stay with me. Using google translate gives me the following English lyrics: In doing some searching on my own, I've found both the romaji, and the hiragana (katakana?). I've been listening to Miki Matsubara's 1979 " 真夜中のドア - Stay With Me" for quite a while now, and I'd love to know the lyrics to this very pretty song. ![]() |
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